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Course Name: THTREMUS 323: Am Thtr-Drama
Instructor: E.J. Westlake
Winter 2006
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Baraka, Amiri and Leroi Jones. "The Revolutionary Theatre," in The Harcourt Brace Anthology of Drama, 3rd edition, edited by W. B. Worthen Fort Worth: Harcourt Brace College Publishers, 2000, pp. 1164-1166.
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Dolan, Jill. "The Discourse of Feminisms: The Spectator and Representation," in Feminist Spectator as Critic. Ann Arbor, MI: UMI Research Press, 1988, pp. 1-18.
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Dukore, Bernard F. "Antonin Artaud: No More Masterpieces," in Dramatic Theory and Criticism: Greeks to Grotowski. Fort Worth, TX: Harcourt Brace Jovanovich College Publishers, 1974, pp. 760-766.
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Dukore, Bernard F. "Bertolt Brecht: Theatre for Pleasure or Theatre for Instruction," in Dramatic Theory and Criticism: Greeks to Grotowski. Fort Worth, TX: Harcourt Brace Jovanovich College Publishers, 1974, pp. 849-854.
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Dukore, Bernard F. "Martin Esslin: The Theatre of the Absurd," in Dramatic Theory and Criticism: Greeks to Grotowski. Fort Worth, TX: Harcourt Brace Jovanovich College Publishers, 1974, pp. 668-672.
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Gitlin, Todd. "Postmodernism defined, at last!." Utne Reader, Vol. 34, No. July/August, 1989, pp. 52-63.
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Mason, Jeffrey D. "The Politics of Metamora ," in Performance of Power: Theatrical Discourse and Politics, edited by Sue-Ellen Case and Janelle Reinelt. Iowa City: University of Iowa Press, 1991, pp. 92-110.
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Parks, Suzan-Lori. "The America Play ," in The American Play and Other Works. New York: Theatre Communications Group, 1995, pp. 157-199.
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Vogel, Paula. "The Baltimore Waltz," in Baltimore Waltz and Other Plays. New York: Theatre Communications Group, 1996, pp. 1-57.
More course materials may be available at this course's CourseTools webpage :
https://ctools.umich.edu/portal/site/ad2438b4-7f41-4d87-00a0-970930062cb6
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