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Course Name: PHIL 439
Instructor: Kendall Walton
Winter 2006
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Barthes, Roland. "The Death of the Author," in Image, Music, Text. New York: Hill and Wang, 1977, pp. 142-148.
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Bazin, Andre. "The Ontology of the Photographic Image," in What Is Cinema? (Volume 1). Los Angeles: University of California Press, 1967, pp. 9-16.
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Beardsley, Monroe C. "Aesthetic Objects," in Aesthetics: Problems in the Philosophy of Criticism. 2nd edition, Indianapolis: Hackett Publishing Company, Inc. 1981, pp. 15-29.
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Bell, Clive. "The Aesthetic Hypothesis," in Art and Philosophy: Readings in Aesthetics, 2nd edition, edited by William E. Kennick New York: St. Martin's Press 1979, pp. 60-73.
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Berys, Gaut. "The Ethical Criticism of Art," in Aesthetics and Ethics: Essays at the Intersection, (Cambridge Studies in Philosophy and the Arts) edited by Jerrold Levinson. New York: Cambridge University Press, 1998, pp. 182-203.
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Binkley, Timothy. "Piece: Contra Aesthetics," in Philosophy Looks at the Arts, Revised edition, edited by Joseph Margolis. Philadelphia: Temple University Press, 1978, pp. 25-44.
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Blocker, H. Gene "Pictures and Photographs." The Journal of Art and Art Criticism, Vol. 36, No. 2, Winter 1977, pp. 152-162.
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Borges, Jorge Luis. "Pierre Menard, Author of the Quixote," in Labyrinths: Selected Stories and Other Writings, edited by Donald A. Yates and James E. Irby New York: New Directions, 1964, pp. 36-44.
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Budd, Malcolm. "Selections," in Values of Art: Pictures, Poetry and Music. New York: Allen Lane/The Penguin Press, 1995, pp. 16-25; 176-179.
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Bullough, Edward. "'Psychical Distance' as a Factor in Art and an Aesthetic Principle," in Problems in Aesthetics: Book of Readings, 2nd edition, edited by Morris Wwitz. New York: MacMillan, 1970, pp. 782-792.
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Carroll, Noel. "Moderate Moralism." British Journal of Aesthetics, Vol. 36, No. 3, 1996, pp. 223-238.
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Cavell, Stanley. "Sights and Sounds," and "Photograph and Screen," in The World Viewed. Cambridge, MA: Harvard University Press, 1979, pp. 16-25.
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Devereaux, Mary. "Beauty and Evil: The Case of Leni Riefenstahl's Triumph of the Will," in Aesthetics and Ethics: Essays at the Intersection, edited by Jerrold Levinson. New York: Press Syndicate of the University of Cambridge, 1998, pp. 227-256.
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Dipert, Randall. The Composer’s Intentions: An Examination of Their Relevance for Performance." The Musical Quarterly, Vol. 66, No. 2, April 1980, pp. 205-218.
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Elliott, R.K. "Aesthetic Theory and the Experience of Art," in Aesthetics, edited by Harold Osborne. New York: Oxford University Press, 1972, pp. 145-157.
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Fort, Keith. "The Coal Shoveller," in Anti-Story: An Anthology of Experimental Fiction, edited by P. Stevick New York: The Free Press, 1971, pp. 40-61.
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Goldman, Alvin. "Empathy, Mind, and Morals," in Mental Simulation: Evaluations and Applications, (Readings in Mind and Language) edited by Martin Davies and Anthony Stone. Cambridge, MA: Blackwell, 1995, pp. 185-208.
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Goodman, Nelson. "Art and Authenticity," in The Forger's Art: Forgery and the Philosophy of Art, edited by Denis Dutton. Berkeley: University of California Press, 1976, pp. 93-114.
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Goodman, Nelson. "Selections from Chapter Six," in Languages of Art: An Approach to a Theory of Symbols. Indianapolis: Bobbs-Merrill, 1968, pp. 241-265.
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Hirsch, E.D., Jr. "In Defense of the Author," in Validity in Interpretation. New Haven: Yale University Press, 1967, pp. 1-23.
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Hume, David. "Of the Standard of Taste," in Essays: Moral, Political and Literary, Revised edition, edited by Eugene F. Miller Indianapolis: Liberty Classics, 1777, 1987, pp. 226-249.
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Hume, David. "Of Tragedy," in Essays Moral, Political and Literary, Revised edition, edited by Eugene Miller. Indianapolis: LibertyClassics, 1987, pp. 216-225.
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Isenberg, Arnold. "The Problem of Belief," in Aesthetics and the Theory of Criticism. Chicago: University of Chicago Press, 1973, pp. 87-104.
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Jacobson, Daniel . "In Praise of Immoral Art." Philosophical Topics, Vol. 25, No. 1, Spring 1997, pp. 155-200.
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Jacobson, Daniel . "Sir Philip Sidney's Dilemma: On the Ethical Function of Narrative Art." The Journal of Aesthetics and Art Criticism, Vol. 54, No. 4, Autumn, 1996, pp. 327-336.
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John, Eileen. "Literary Fiction and the Philosohical Value of Detail," in Imagination, Philosophy, and the Arts, edited by Matthew Kieran and Dominic Lopes. London: Routledge, 2003, pp. 142-159.
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John, Eileen . "Reading Fiction and Conceptual Knowledgew: Philosophical thought in a Literary Context." Journal of Aesthetics and Art Criticism, Vol. 56, No. 4, Autumn 1998,
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Kennick, W.E., eds "On Defining Art," in Art and Philosophy: Readings in Aesthetics, 2nd edition, New York: St. Martin's Press 1979, pp. 113.
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Kristeller, P.O. "Origins of Aesthetics: Historical and Conceptual Overview," in Encyclopedia of Aesthetics, Volume 3, edited by Michael Kelly. New York: Oxford University Press, 1998, pp. 416-428.
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Langer, Suzanne. "Expressiveness," in Problems of Art. New York: Charles Scribner's Sons, 1957, pp. 13-26.
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Lessing, Alfred. "What Is Wrong with a Forgery?," in The Forger's Art: Forgery and the Philosophy of Art, edited by Denis Dutton. Berkeley: University of California Press, 1983, pp. 58-76.
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Levinson, Jerrold. "Music and Negative Emotion," in Music, Art and Metaphysics: Essays in Philosophical Aesthetics. Ithaca, NY: Cornell University Press, 1990, pp. 306-335.
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Levinson, Jerrold. "Hume's Standard of Taste: The Real Problem." Journal of Aesthetics and Art Criticism, Vol. 60, No. 3, Summer 2002, pp. 227-238.
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Lewis, David L. "Fiction in the Service of Truth," in Philosophical Papers, Vol. 1 New York: Oxford University Press, 1983, pp. 278-279.
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Maynard, Patrick. "The Secular Icon: Photography and the Functions of Images." The Journal of Aesthetics and Art Criticism, Vol. 12, No. 2, Winter 1983, pp. 155-169.
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Nehamas, Alexander. "The Postulated Author: Critical Monism as a Regulative Ideal." Critical Inquiry, Vol. 8, No. 1, 1981, pp. 133-149.
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Nehamas, Alexander. "Plato and the Mass Media." Monist, Vol. 71, No. 2, April 1988, pp. 214-234.
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Plato. "Book X," in Republic, translated by B. Jowett New York: Random House, 1937, pp. 852-866.
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Railton, Peter. "Aesthetic Value, Moral Value, and the Ambitions of Naturalism," in Aesthetics and Ethics: Essays at the Intersection, edited by Jerrold Levinson. Cambridge, UK: Cambridge University Press, 1998, pp. 59-105.
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Railton, Peter. "Aesthetic Value, Moral Value, and the Ambitions of Naturalism," in Aesthetics and Ethics: Essays at the Intersection, edited by Jerrold Levinson. Cambridge, UK: Cambridge University Press, 1998, pp. 59-105.
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Robinson, Jenefer. "L'Education Sentimentale." Australasian Journal of Philosophy, Vol. 73, No. 2, June 1995, pp. 212-226.
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Sagoff, Mark. "On Restoring and Reproducing Art." The Journal of Philosophy, Vol. 75, No. 9, September 1978, pp. 453-470.
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Sontag, Susan. "In Plato's Cave," in On Photography. New York: Farrar, Strauss and Giroux, 1978, pp. 3-24.
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Stecker, Robert. "Apparent, Implied, and Postulated Authors." Philosophy and Literature, Vol. 11, No. 2, October 1987, pp. 258-271.
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Tolstoy, Leo. in Art and Philosophy: Readings in Aesthetics, 2nd edition, edited by W.E. Kennick New York: St. Martins 1979, pp. 24-41.
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Walton, Kendall. "Categories of Art." The Philosophical Review, Vol. 79, No. 3, July 1970, pp. 334-367.
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Walton, Kendall. "Listening with Imagination: Is Music Representational?," in Music and Meaning, edited by Jenefer Robinson. Ithaca, NY: Cornell University Press, 1997, pp. 57-82.
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Walton, Kendall. "Style and the Products and Processes of Art," in The Concept of Style, 2nd edition, edited by Berel Lang. Ithaca: Cornell University Press, 1987, pp. 72-103.
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Walton, Kendall. "Transparent Pictures: On the Nature of Photo-graphic Realism." Critical Inquiry, Vol. 11, No. 2, December 1984, pp. 246-265 Only.
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Wollheim, Richard. "Criticism as retrieval," in Art and Its Objects. 2nd edition, Cambridge: Cambridge University Press, 1980, pp. 185-204.
More course materials may be available at this course's CourseTools webpage :
https://ctools.umich.edu/portal/site/4dd7fd2e-cf93-4ee8-00c1-7d184c573641
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