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checkHTMLBlock(''); ?> AlSayyad, Nezar. "Hybrid Culture/ Hybrid Urbanism: Pandora’s Box of the 'Third Place'," in Hybrid Urbanism: On the Identity Discourse and the Built Environment, edited by Nezar AlSayyad. Westport, CT: Praeger, 2001, pp. 1-18.

checkHTMLBlock(''); ?> Branham, Joan R. "Sacrality and Aura in the Museum: Mute Objects and Articulate Space." Journal of the Walters Art Gallery, Vol. 52/53, 1994/1995, pp. 33-47.

checkHTMLBlock(''); ?> Brock, Karen. "Chinese Maiden, Silla Monk: Zenmyo and Her Thirteenth-Century Japanese Audience," in Flowering in the Shadows: Women in the History of Chinese and Japanese Painting, edited by Marsha Weidner. Honolulu: University of Hawaii Press, 1990, pp. 185-218.

checkHTMLBlock(''); ?> Brock, Karen. "Chinese Maiden, Silla Monk: Zenmyo and Her Thirteenth-Century Japanese Audience," in Flowering in the shadows : women in the history of Chinese and Japanese painting , edited by Marsha Weidner. Honolulu: University of Hawaii Press, 1990, pp. 185-211.

checkHTMLBlock(''); ?> Cœdès, George. Angkor: An Introduction, New York: Oxford University Press, 1963.

checkHTMLBlock(''); ?> Cœdès, George. "'Historical and Religious Setting', 'Theories about Angkor', 'Personal Cults', 'Temples or Tombs' and 'Architectural Symbolism'," in Angkor: An Introduction, translated by Emily Gardiner, New York: Oxford University Press, 1963, pp. 1-8, 9-21, 22-33, 34-38 and 39-53.

checkHTMLBlock(''); ?> Cahill, James. "Some Rocks in Early Chinese Painting." Archives of the Chinese Art Society of America, Vol. 16, 1962, pp. 77-87.

checkHTMLBlock(''); ?> Cate, Phillip Denis. "Japonisme and the Revival of Printmaking at the End of the Century," in Japonisme in Art: An International Symposium, edited by Society for the Study of Japonisme. Tokyo: Committee for the Year 2001, 1980, pp. 279-289.

checkHTMLBlock(''); ?> Chen, Pao-Chen. "Time and Space in Chinese Narrative Paintings of Han and the Six Dynasties," in Time and Space in Chinese Culture, edited by Chun-Chieh Huang and Erik Zürcher. New York, NY: E.J. Brill 1995, pp. 239-285.

checkHTMLBlock(''); ?> Clunas, Craig. "Oriental Antiquities/Far Eastern Art." Positions East Asia Cultures Critique, Vol. 2, No. 2, Fall 1994, pp. 318-355.

checkHTMLBlock(''); ?> Coomaraswamy, Ananda K. "The Origin of the Buddha Image." Art Bulletin, Vol. 9, No. 4, June 1927, pp. 287-328.

checkHTMLBlock(''); ?> Cumings, Bruce. "Boundary Displacement: Area Studies and International Studies During and After the Cold War." Bulletin of Concerned Asian Scholars, Vol. 29, No. 1, 1997, pp. 6-26.

checkHTMLBlock(''); ?> Danto, Arthur C. "Artifact and Art," in ART/Artifact: African Art in Anthropology Collections, 2nd edition, edited by Susan Vogel. New York: Center for African Art, 1988, pp. 18-32.

checkHTMLBlock(''); ?> DePaoli, Geri. "Meditations and Humor: Art as Koan," in The Transparent Thread : Asian Philosophy in Recent American Art, edited by Gail Gelburd and Geri De Paoli. Philadelphia: University of Pennsylvania Press, 1990, pp. 14-25.

checkHTMLBlock(''); ?> de Waal, Edmund. "Homo Orientalis: Bernard Leach and the Image of the Japanese Craftsman." The Journal of Design History, Vol. 10, No. 4, 1997, pp. 355-362.

checkHTMLBlock(''); ?> Dower, John. "Introduction: Japan and the Uses of History," in Origins of the modern Japanese state: selected writings of E. H. Norman (The Pantheon Asia library: new approaches to the new Asia) edited by Dower, John. New York: Pantheon Books/Random House, 1975, pp. 3-51.

checkHTMLBlock(''); ?> Dower, John. "Introduction: Japan and the Uses of History," in Origins of the modern Japanese state: selected writings of E. H. Norman (The Pantheon Asia library: new approaches to the new Asia) edited by Dower, John. New York: Pantheon Books/Random House, 1975, pp. 52-101.

checkHTMLBlock(''); ?> Edwards, Richard. "The Artist and the Landscape: Changing Views of Nature in Chinese Painting." Renditions, No. 6, Spring 1976, pp. 30-52.

checkHTMLBlock(''); ?> Fong, Wen. "The Modern Chinese Art Debate." Artibus Asiae, Vol. 53, No. 1/2, 1993, pp. 290-305.

checkHTMLBlock(''); ?> Foucher, Auguste. "The Greek Origin of the Image of Buddha," in The Beginnings of Buddhist Art and Other Essays in Indian and Central-Asian Archaeology. Dehli: Indological Book House, 1972, pp. 111-137.

checkHTMLBlock(''); ?> Gramly, Richard M. "Art and Anthropology on a Sliding Scale," in ART/Artifact: African Art in Anthropology Collections, 2nd edition, edited by Susan Vogel. New York: Center for African Art, 1988, pp. 33-40.

checkHTMLBlock(''); ?> Harrist, Robert E., Jr. "Art and Identity in the Northern Sung Dynasty: Evidence from Gardens," in Arts of the Sung and Yüan, edited by Maxwell K. Hearn and Judith G. Smith New York: Metropolitan Museum of Art, 1996, pp. 147-159.

checkHTMLBlock(''); ?> Hawkes, David, eds. "A Far Off Journey," in Ch’u tz’u : the songs of the South, an ancient Chinese anthology, translated by David Hawkes, Oxford: Clarendon Press, 1959, pp. 81-87.

checkHTMLBlock(''); ?> Hay, John. "The Human Body as a Microcosmic Source of Macrocosmic Values in Calligraphy," in Self as Body in Asian Theory and Practice, edited by Thomas P. Kasulis, Roger T. Ames and Wimal Dissanayake Albany: State University of New York Press, 1993, pp. 179-211.

checkHTMLBlock(''); ?> Hibbett, Howard. "Selections from 'Characters of Worldly Young Women' and 'Characters of Worldly Young Men'," in The Floating World in Japanese Fiction. Rutland, VT: Charles E. Tuttle 1975, pp. 100-124.

checkHTMLBlock(''); ?> Huang, Chun-Chieh, and Erik Zürcher. "Cultural Notions of Space and Time in China," in Time and Space in Chinese Culture, edited by Huang, Chun-Chieh, and Erik Zürcher. New York: E.J. Brill 1995, pp. 3-14.

checkHTMLBlock(''); ?> Hung, Wu. "From Temple to Tomb: Ancient Chinese Art and Religion in Transition." Early China, Vol. 13, 1988, pp. 78-115.

checkHTMLBlock(''); ?> Karetzky, Patricia Eichenbaum. "The Act of Pilgrimage and Guptan Steles with Scenes from the Life of the Buddha." Orientations, Vol. 33, No. 3, Autumn 1987, pp. 268-274.

checkHTMLBlock(''); ?> Kohara, Hironobu. "Narrative Illustration in the Handscroll Format," in Words and Images: Chinese Poetry, Calligraphy, and Painting, edited by Alfred Murck and Wen C. Fong Princeton, NJ: Princeton University Press and the Metropolitan Museum of Art, 1991, pp. 247-266.

checkHTMLBlock(''); ?> LaFleur, William R. "Ghosts and Hungry People: Somaticity and Rationality in Medieval Japan," in Fragments for a History of the Human Body: Part 1, edited by Michel Feher. New York: Urzone, 1989, pp. 271-303.

checkHTMLBlock(''); ?> Laing, Ellen Johnston. "Erotic Themes and Romantic Heroines Depicted by Ch'iu Ying." Archives of Asian Art, Vol. XLIX, 1996, pp. 68-91.

checkHTMLBlock(''); ?> Liu, Cary Y. "Embodying Cosmic Patterns: Foundations of an Art of Calligraphy in China." Oriental Art, Vol. 46, No. 5, 2000, pp. 2-9.

checkHTMLBlock(''); ?> Loehr, Max. "The Fate of Ornament in Chinese Art." Archives of Asian Art, Vol. 21, 1967-8, pp. 8-19.

checkHTMLBlock(''); ?> Loewe, Michael. "The painting from tomb no. 1, Ma-wang-tui" in Ways to Paradise: the Chinese Quest for Immortality. London: George Allen & Unwin, pp. 17-59.

checkHTMLBlock(''); ?> Lopez, Donald S. "New Age Orientalism: The Case of Tibet." Tricycle, Vol. III, No. 3, 1994 Spring, pp. 36-43.

checkHTMLBlock(''); ?> Mullin, Molly H. The Patronage of Difference: Making Indian Art "Art, Not Ethnology," in The Traffic in Culture: Refiguring Art and Anthropology, edited by George E. Marcus and Fred R. Myers Berkeley: University of California Press, 1995, pp. 166-198.

checkHTMLBlock(''); ?> Murray, Julia K. "What is 'Chinese Narrative Illustration'." Art Bulletin, Vol. 80, No. 4, 1998 December, pp. 602-615.

checkHTMLBlock(''); ?> Murray, Julia K. "Buddhism and Early Narrative Illustration in China." Archives of Asian Art, Vol. 48, 1995, pp. 17-31.

checkHTMLBlock(''); ?> Napier, Susan. "The Fifth Look: Western Audiences and Japanese Animation," in Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation. New York: Palgrave, 2001, pp. 239-256.

checkHTMLBlock(''); ?> Napier, Susan Jolliffe. "Appendix : The fifth look : Western audiences and Japanese animation," in Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation. New York: Palgrave, 2000, pp. 239-256.

checkHTMLBlock(''); ?> Obayashi, Taryo. "The Ancient Myths of Korea and Japan." Acta Asiatica, Vol. 61, 1991, pp. 68-82.

checkHTMLBlock(''); ?> Pak, Young-sook. "Illuminated Buddhist Manuscripts in Korea." Oriental Art, Vol. 33, No. 4, 1987/88, pp. 357-374.

checkHTMLBlock(''); ?> Powers, Martin. "Art and History: Exploring the Counterchange Condition." Art Bulletin, Vol. 77, No. 3, September 1995, pp. 382-87.

checkHTMLBlock(''); ?> Powers, Martin J. "Discourses of Representation in Tenth- and Eleventh-Century China," in The Art of Interpreting. University Park, PA: Pennsylvania State University, 1995, pp. 88-125.

checkHTMLBlock(''); ?> Powers, Martin J. "Artistic Taste, the Economy and the Social Order in Former Han China." Art History, Vol. 9, No. 3, 1986 September, pp. 285-305.

checkHTMLBlock(''); ?> Powis, Jonathan. "Introduction" and "Status and Hierarchy," in Aristocracy. New York: Basil Blackwell, 1984, pp. 1-22.

checkHTMLBlock(''); ?> Ricoeur, Paul. "Narrative and Hermeneutics," in Essays on Aesthetics: Perspectives of the Work of Monroe C. Beardsley edited by John Fisher. Philadelphia, PA: Temple University Press, 1983, pp. 149-160.

checkHTMLBlock(''); ?> Schapiro, Meyer. "Style," in Anthropology Today: An Encyclopedic Inventory, edited by A.L. Kroeber Chicago: University of Chicago Press, 1953, pp. 287-312.

checkHTMLBlock(''); ?> Seckel, Dietrich. "The Rise of Portraiture in Chinese Art." Artibus Asiae, Vol. 53, No. 1/2, 1993, pp. 7-26.

checkHTMLBlock(''); ?> Sharf, Robert H. "The Zen of Japanese Nationalism," in Curators of the Buddha: The Study of Buddhism Under Colonialism, edited by Donald S. Lopez, Jr. Chicago: University of Chicago Press, 1985, pp. 107-160.

checkHTMLBlock(''); ?> Sharf, Robert H. "Whose Zen? Zen Nationalism Revisited," in Rude Awakenings: Zen, the Kyoto School, and the Question of Nationalism, edited by James W. Heisig and John C. Maraldo Honolulu: University of Hawai'i Press, 1995, pp. 40-51.

checkHTMLBlock(''); ?> Slusser, Dale. "The Transformation of Tea Practice in Sixteenth-Century Japan," in Japanese Tea Culture: Art, History, and Practice, edited by Morgan Pitelka. New York: RoutledgeCurzon, 2003, pp. 39-60.

checkHTMLBlock(''); ?> Solomon, Andrew. "'Don't Mess With Our Cultural Patrimony!'." New York Times Magazine, March 17, 1996, pp. 30ff.

checkHTMLBlock(''); ?> Soper, Alexander. "The Illustrative Method of the Tokugawa ‘Genji’ Pictures." Art Bulletin, Vol. 37, No. 1, March 1955, pp. 1-16.

checkHTMLBlock(''); ?> Spink, Walter M. "Ajanta to Ellora." Marg, Vol. 20, No. 2, 1967, pp. 2-6.

checkHTMLBlock(''); ?> Takeuchi, Melinda. "Kuniyoshi’s Minamoto Raiko and the Earth Spider: Demons and Protest in Late Tokugawa Japan." Ars Orientalis, Vol. 17, 1987, pp. 5-38.

checkHTMLBlock(''); ?> van der Veer, Peter. "Ayodhya and Somnath: Eternal Shrines, Contested Histories." Social Research, Vol. 59, No. 1, Spring 1992, pp. 85-109.

checkHTMLBlock(''); ?> White, Hayden. "The Value of Narrativity in the Representation of Reality," in On Narrative, edited by W.J.T. Mitchell. Chicago: University of Chicago Press, 1981, pp. 1-23.

checkHTMLBlock(''); ?> Williams, Raymond. "Society" and "Status," in Keywords : a vocabulary of culture and society . revised edition, New York: Oxford University Press, 1985, pp. 243-248, 251-252.

checkHTMLBlock(''); ?> Winther, Bert. "Japanese Thematics in Postwar American Art: From Soi-isant Zen to the Assertion of Asian-American identity," in Japanese Art after 1945: Scream Against the Sky. New York: Henry N. Abrams, Inc. 1994, pp. 54-67.

checkHTMLBlock(''); ?> Woodward, Hiram W. Jr "Barabudur as a Stupa," in Barabudur: History and Significance of a Buddhist Monument, edited by Luis O. Gomez and Hiram W. Jr. Woodward Berkeley: Asian Humanities Press, 1981, pp. 121-138.

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