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Course Name: FILMVID 441: National Cinemas
Instructor: Giorgio Bertellini
Winter 2006
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Bazin, Andre. "An Aesthetic of Reality: Neorealism," in What is Cinema, Volume II, translated by Hugh Grant, Berkeley, CA: University of California Press, 1971, pp. 16-40.
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Biskind, Peter,. "Lina Wertmüller: The Politics of Private Life." Film Quarterly, Vol. 28, No. 2, Winter 1974-1975, pp. 10-16.
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Crowdus, Gary and Richard Porton. "Beyond Neorealism: Preserving a Cinema of Social Conscience: An Interview with Gianni Amelio." Cineaste, Vol. 21, No. 4, 1995, pp. 6-13.
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Goldin, Marilyn. "Bertolucci on 'The Conformist,': An Interview With Marilyn Goldin." Sight and Sound, Vol. 40, No. 2, Spring 1971, pp. 64-66.
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Greene, Naomi. "The Heritage of Neorealism," and "The End of Ideology," in Pier Paolo Pasolini: Cinema as Heresy. Princeton, NJ: Princeton University Press, 1990, pp. 21-67.
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Greg Smith M. "It's Just a Movie: A Teaching Essay for Introductory Media Classes." Cinema Journal, Vol. 41, No. 1, Autumn l 2001, pp. pp. 127-134
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Kline, T. Jefferson "The Unconformist: Bertolucci's The Conformist (1971) from the Novel by Alberto Moravia," in Modern European Filmmakers and the Art of Adaptation, edited by Andrew Horton and Joan Magretta. New York: Frederick Ungar Publishing, 1981, pp. 222-237 .
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Mazzola, Claudio. "Gabriele Salvatores and the Italian Cinema of the 90s." Canadian Journal of Italian Studies , Vol. 20, No. 54, 1997, pp. 67-89.
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Pasoini, Pier Paolo. "The Nonverbal as Another Verbality." and "Cinema and Oral Language," in Heretical Empiricism, translated by Ben Lawton and Louise K. Barnett edited by Louise K. Barnett Bloomington: Indiana University Press, 1988, pp. 261-266.
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Porton, Richard and Lee Ellickson. "Comedy, Communism, and Pastry: An Interview with Nanni Moretti." Cineaste, Vol. 21, No. 1-2, 1995, pp. 11-15.
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Rohdie, Sam. "Chapter Nine," in Antonioni. London: BFI Publishing, 1992, pp. 155-182.
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Sadoul, Georges and Roberto Rossellini. "A Great Italian Filmmaker: Roberto Rossellini," "A Discussion of Neorealism: An Interview with Mario Verdone," and "I Am Not the Father of Neorealism," in My Method: Writings and Interviews, translated by Annapaola Cancogni, edited by Adriano Aprà. New York: Marsilio Publishers, 1992, pp. 17-20, 33-46.
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Theil, Lydia Distefano . "Cinema Paradiso: Search for the Father." Romance Languages Annual 1991, Vol. 3, 1992, pp. 321-325.
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Viano, Maurizio. "Life is Beautiful: Reception, Allegory, and Holocaust Laughter." Annali d’Italianistica, Vol. 17, 1999, pp. 155-171.
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Ward, David. "'Italy' in Italy: Old Metaphors and New Racism in the 1990s," in Revisioning Italy: National Identity and Global Culture, edited by Beverly Allen and Mary Russo. Minneapolis: University of Minnesota Press, 1997, pp. 81-97.
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Wertmüller, Lina. "You Cannot Make The Revolution on Film: An Interview with Lina Wertmüller." Cineaste, Vol. 7, No. 2, 1976, pp. 6-9.
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Zavatinni, Cesar. "Some Ideas on the Cinema," in Film: A Montage of Theories. New York: E. P. Dutton 1994, pp. 216-228.
More course materials may be available at this course's CourseTools webpage :
https://ctools.umich.edu/portal/site/8c19f88d-1d2b-41e7-00bc-5c08c5887534
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