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?>
Course Name: FILMVID 366: Topics Asian Studies
Instructor: Hye Seung Chung
Winter 2006
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Abbas, Ackbar. "Wong Kar-wai: Hong Kong Filmmaker," in Hong Kong: Culture and the Politics of Disappearance. (Public Worlds) Minneapolis: University of Minnesota Press, 2001, pp. 48-62.
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Abbas, Acknar. "The New Hong Kong Cinema and the Deja Disparu," in Hong Kong: Culture and the Politics of Disappearance. (Public Worlds) Minneapolis: University of Minnesota Press, 1997, pp. 16-47.
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Atkinson, Michael . "Songs of Crushed Love: The Cinema of Stanley Kwan." Film Comment, Vol. 32, No. 3, May/June 1996, pp. 42-46, 49.
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Berry, Chris. "Where Is Love? Hyperbolic Realism and Indulgence in Vive L'Amour," in Island on the Edge: Taiwan New Cinema and After, edited by Chris Berry and Feii Lu. Hong Kong: Hong Kong University Press, 2005, pp. 89-100.
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Berry, Chris. "Sexual DisOrientation: Homosexual Rights, East Asian Films, and Postmodern Postnationalism," in In Pursuit of Contemporary East Asian Culture, edited by Xiaobing Tang and Stephen Snyder. Boulder, CO: Westview Press, 1996, pp. 157-182.
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Chang, Michael G. "The Good, the Bad, and the Beautiful: Movie Actresses and Public Discourse in Shanghai, 1920s-1930s," in Cinema and Urban Culture in Shanghai, 1922-1943, edited by Yingjin Zhang. Stanford, CA: Standford University Press, 1999, pp. 128-159 .
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Choi, Chungmoo. "Discourse of Decolonization and Popular Memory: South Korea," in Formations of Colonial Modernity in East Asia, edited by Tani E. Barlow. Durham, NC: Duke University Press, 1997, pp. 349-372.
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Chong, Woei Lien. "Alienation in the Modern Metropolis: The Visual Idiom of Taiwanese Film Director Tsai Ming-liang." China Information, Vol. 9, No. 4, Spring 1995, pp. 81-95.
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Chow, Rey. "The Forces of Surfaces: Defiance in Zhang Yimou's Films," in Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. (Film and Culture) New York: Columbia University Press, 1995, pp. 142-172.
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Chow, Rey . "Nostalgia of the New Wave: Structure in Wong Kar-wai's Happy Together." Camera Obscura, Vol. 42, 1990, pp. 30-49.
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Cui, Shuqin . "Stanley Kwan's Centre Stage: The (Im)possible Engagement between Feminism and Postmodernism." Cinema Journal, Vol. 39, No. 4, Summer 2000, pp. 60-80.
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Cumings, Bruce. "'Kwangju' and 'Anti-Americanism and Anti-Koreanism'," in Korea's Place in the Sun: A Modern History. New York: W.W. Norton 1997, pp. 377-386.
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Desser, David. "Toward a Structural Analysis of the Postwar Samurai Film," in Reframing Japanese Cinema: Authorship, Genre, History, edited by Arthur Nolletti and David Desser. Bloomington, IN: Indiana University Press, 1992, pp. 145-164.
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Diffrient, David Scott . "South Korean Film Genres and Art-House Anti-Poetics: Erasure and Negation in The Power of Kangwon Province." Cineaction, Vol. 60, Spring 2003, pp. 60-71.
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Dissanayake, Wimal. "Nationhood, History, and Cinema: Reflections on the Asian Scene," in Colonialism and Nationalism in Asian Cinema, edited by Wimal Dissanayake. Bloomington, IN: Indiana University Press, 1994, pp. ix-xxix.
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Dorsey, John T. and Naomi Matsuoka. "Narrative Strategies of Understatement in Black Rain as a Novel and a Film," in Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film, (Japanese Studies) edited by Mick Broderick. New York: Kegan Paul International, 1996, pp. 203-221.
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Gong, Xiaoxia. "The Logic of Repressive Collective Action: A Case Study of Violence in the Cultural Revolution," in The Chinese Cultural Revolution Reconsidered: Beyond Purge and Holocaust, edited by Kam-yee Law. New York: Palgrave MacMillan, 2003, pp. 113-132.
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Higson, Andrew. "The Concept of National Cinema," in The European Cinema Reader, edited by Catherine Fowler. New York: Routledge, 2002, pp. 132-142.
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Kim, Kyung Hyun. "Korean Cinema and Im Kwon-Taek: An Overview," in Im Kwon-Taek: The Making of a Korean National Cinema, edited by Kyung Hyun Kim and David James. Detroit: Wayne State University Press, 2002, pp. 19-46.
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Kraicer, Shelly . "Interview with Cai Mingliang." positions, Vol. 8, No. 2, Fall 2000, pp. 579-588.
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Lee, Hong Yung. "Historical Reflections on the Cultural Revolution as a Political Movement," in The Chinese Cultural Revolution Reconsidered: Beyond Purge and Holocaust, edited by Kam-yee Law. New York: Palgrave Macmillan, 2003, pp. 92-112.
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Liao, Ping-hui. "Rewriting Taiwanese National History: The February 28 Incident at Spectacle." Public Culture, Vol. 5, No. 2, 1993,
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Martin, Fran. "Vive L'Amour: Eloquent Emptiness," in Chinese Films in Focus: 25 New Takes, edited by Chris Berry. London: BFI Publishing, 2003, pp. 175-182.
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Rayns, Tony. "Sexual Terrorism: The Strange Case of Kim Ki-duk." Film Comment, Vol. 40, No. 6, Nov./Dec . 2004 pp. 50-52.
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Richie, Donald. "'Mono no aware': Hiroshima in Film," in Hibakusha Cinema: Hiroshima, Nagasaki, and the Nuclear Image in Japanese Film, (Japanese Studies) edited by Mick Broderick. New York: Kegan Paul International, 1996, pp. 20-37.
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Siegel, Marc. "The Intimate Spaces of Wong Kar-wai," in At Full Speed: Hong Kong Cinema in a Borderless World, edited by Esther Yau. Minneapolis: University of Minnesota Press, 2001, pp. 277-294.
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Stephens, Chuck . "Future Shock: Hong Sang-soo's Lady In Red." Film Comment, Vol. 40, No. 6, Nov./Dec. 2004 pp. 43-45.
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Tam, Kwok-kam and Wimal Dissanayake. "Stanley Kwan: Narratives of Feminine Anguish," in New Chinese Cinema. (Images of Asia) New York: Oxford University Press, 1998, pp. 72-82.
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Tam, Kwok-Kan. "Cinema and Zhang Yimou," in Zhang Yimou: Interviews, (Conversations with Filmmakers) edited by Frances Gateward. Jackson, MS: University Press of Mississippi, 2001, pp. 103-118.
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Tambling, Jeremy. "'Reading the Film' and 'Happy Together and Homosexuality'," in Wong Kar-wai's Happy Together. Hong Kong: Hong Kong University Press, 2003, pp. 39-63 and 65-75.
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Tessier, Max. "Oshima Nagisa, or The Battered Energy of Desire," in Reframing Japanese Cinema: Authorship, Genre, History, translated by Marise Thompson and Arthur Nolletti, edited by Arthur Nolletti and David Desser. Bloomington, IN: Indiana University Press, 1992, pp. 69-90.
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White, Hayden. "The Modernist Event," in The Persistence of History: Cinema, Television, and the Modern Event, (AFI Film Readers) edited by Vivian Sobchack. New York: Routledge, 1996, pp. 17-38.
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Yang, Mayfair Mei-hui. "Of Gender, State, Censorship, and Overseas Capital: An Interview with Chinese Director Zhang Yimou," in Zhang Yimou: Interviews, (Conversations with Filmmakers) edited by Frances Gateward. Jackson, MS: University Press of Mississippi, 2001, pp. 35-49.
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Yau, Esther. "China After Revolution," in The Oxford History of World Cinema, edited by Geoffrey Nowell-Smith. New York: Oxford University Press, 1996, pp. 693-704.
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Yip, June. "from 'Confronting the Other, Defining a Self: Hsiang-t'u Literature and the Emergence of a Taiwanese Nationalism'," in Envisioning Tawain: Fiction, Cinema, and the Nation in the Cultural Imaginary. (Asia-Pacific: Culture, Politics, and Society) Durham, NC: Duke University Press, 2004, pp. 13-22.
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Yip, June. "Toward the Postmodern: Taiwanese New Cinema and Alternative Visions of Nation," in Envisioning Tawain: Fiction, Cinema, and the Nation in the Cultural Imaginary. (Asia-Pacific: Culture, Politics, and Society) Durham: Duke University Press, 2004, pp. 49-68.
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Zha, Jianying. "Chen Kaige and the Shadows of the Revolution." Sight and Sound, Vol. 4, No. 5-8, February 1994, pp. 28-36.
More course materials may be available at this course's CourseTools webpage :
https://ctools.umich.edu/portal/site/f3a2a6d2-b8e0-4f24-80ed-8ad9c2d6f9c8
https://ctools.umich.edu/portal/site/8493482d-595e-4b0d-008d-10e9b8d1016f
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