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Course Name: CAAS 104: Hum Seminar
Instructor: Kevin K Gaines
Fall 2008
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Bell, Derrick. "The Space Traders," in Faces at the Bottom of the Well: The Permanence of Racism. New York, NY: BasicBooks, 1992, pp. 158-194.
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Carby, Hazel V. "The Body and Soul of Modernism," in Race Men. Cambridge, MA: Harvard University Press, 1998, pp. 45-83.
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Carter, Stephen R. "Commitment amid Complexity: An Overview," in Hansberry's Drama. New York, NY: Penguin Books USA Inc. 1993, pp. 1-19.
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Collins, Lisa Gail and Margo Natalie Crawford. "Introduction: Power to the People!," in New Thoughts on the Black Arts Movement, edited by Lisa Gail Collins and Margo Natalie Crawford. New Brunswick, NJ: Rutgers University Press, 2006, pp. 1-19.
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Crawford, Margo Natalie. "Black Light and the Wall of Respect: The Chicago Black Arts Movement," in New Thoughts on the Black Arts Movement, edited by Lisa Gail Collins and Margo Natalie Crawford. New Brunswick, NJ: Rutgers University Press, 2006, pp. 23-42.
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Forrest, Leon. "Elijah," in The Furious Voice for Freedom: Essays vy Leon Forrest. Wakefield, RI: Asphodel Press, 1994, pp. 66-116.
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Forrest, Leon. "Character Behind the Walls of Residential Segregation," in The Furious Voice for Freedom: Essays by Leon Forrest. Wakefield, RI: Asphodel Press, 1994, pp. 49-65.
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Jones, LeRoi. "The Dutchman (1964)," in Selected Plays and Prose of Amiri Baraka/LeRoi Jones. First edition, New York, NY: William Morrow and Company, Inc. 1979, pp. 70-96.
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Lorde, Audre. "Tar Beach," in Conditions Five: The Black Woman's Issue, edited by Lorraine Bethel and Barbara Smith. New York, NY: Conditions, 1979, pp. 34-47.
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Monson, Ingrid. "The Debate Within: White Backlash, the New Thing, and Economics," in Freedom Sounds: Civil Rights Call Out to Jazz and Africa. New York, NY: Oxford University Press, 2007, pp. 238-282.
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Roediger, David. "White Workers, New Democrats, and Affirmative Action," in The House that Race Built, First edition, edited by Lubiano, Wahneema. New York: Vintage Books, 1998, pp. 48-65.
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Spurlin, William J. "Culture, Rhetoric and Queer Identity: James Baldwin and the Identity Politics of Race and Sexuality," in James Baldwin Now, edited by Dwight A. McBride New York: New York University Press, 1999, pp. 103-121.
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Weems, Renita. "Artists Without Art Form: A Look at One Black Woman's World of Unrevered Black Women," in Conditions: Five, The Black Women's Issue, edited by Lorraine Bethel and Barbara Smith. Brooklyn, NY: Conditions, 1979, pp. 48-58.
More course materials may be available at this course's CourseTools webpage :
https://ctools.umich.edu/portal/site/59f4a39b-29ea-44dc-b3b0-83ebf18cbf7b
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