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Oroonoko, or, the Royal Slave a True History by Aphra
Behn
This month's featured text is Aphra Behn's Oroonoko,
or The royal slave: a true history.
This novel was first written in 1688, by the well known Restoration
playwright, Aphra Behn. Behn was perhaps the first professional
woman writer in England and was the second most prolific writer
during the Restoration (John Dryden was the most prolific). She
is perhaps best known for her plays like The Rover (reputed
to be Charles II's favorite play), Sir Patient Fancy,
and The Feigned Courtesans. She also wrote several well
known volumes of poetry and prose, such as the novel Oroonoko.
Oroonoko is probably based on experiences Behn Herself had
when she lived in the colony of Surinam, later Dutch Guiana while
she was there between 1663 and 1664. The novel tells a story about
an African prince named Oroonoko who falls in love with a woman
Imoinida, who is sold into slavery. Later, Oroonoko himself is
tricked into entering an English slaving ship and sold into slavery
himself in the English colony of Guiana. There, Oroonoko is reunited
with Imoinida and leads a revolt against his English masters.
It is unsuccessful, and Oroonoko is captured, tortured, and eventually
executed by the English.
Oroonoko, or The royal slave: a true history is a significant
novel on several levels. First, it gives scholars of this period
one of the first glimpses ofearly modern attitudes about Africa
and the African slave trade. Behn portrays the colony of Surinam
as a land of great paradoxes. The colonizers are "civilized"
yet they habitually beat and torture their slaves. Oroonoko himself
is a "noble" savage. He comes from royal blood in Africa,
but is forced into bondage by people he once trusted. It is interesting
to note that throughout the novel, the author insists that an
African can be a hero and that Europeans do not have the monopoly
on civilization. Second, it is a novel written by a woman and
its narrator is a woman. The story elevates the status of women,
but represents that they too are in a way slaves to the will of
their male captors. Third, it reflects political ideologies of
the period. According to the narrator, Oroonoko had heard about
the execution of Charles I, and in the end dies much like Charles
did, as a martyr. In all, Orronoko is a fascinating text
that helps scholars understand the origins of the African slave
trade and European attitudes toward both Africans and women during
the early modern period.
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