The Electronic Music Studios include two state-of-the art recording laboratories that facilitate a broad range of activities and research including: electronic music composition, recording experimentation, mixing audio to motion picture, scientific investigation and acoustics studies.
Studios A and B may be used separately or combined for expanded capabilities — allowing one to function as a control room while the other acts as a tracking space.
The studios may be reserved by U-M students, faculty and staff who have completed the requisite training courses.
EMS A has an API 1608 console in addition to Euphonix control surfaces that allow users to mix, match and adopt any combination of analog and digital workflow that suits their needs. Moreover, the studio is equipped with various analog and digital outboard gear as well as software plug-ins to aid users with their research.
EMS A is not only good for musical endeavors, but it is also arranged in a manner that easily facilitates mixing audio to motion picture.
The room has a centrally located 46-inch display, in addition to two 24-inch computer monitors — that put the digital audio workstation and motion picture controls within easy reach.
Following technological trends in audio and video, the studio is set up in 5.1 surround sound allowing users to experiment in both stereo and surround domains when working on audio or video projects.
EMS B is a one-of-a-kind studio boasting the world's first 7.1/8.0 analog console.
The centerpiece of the room is a 32-channel API Vision console that is set up for stereo, 5.1, 7.1 and 8.0 surround sound.
With just the push of a few buttons, users can hone their skills using traditional formats, as well keep up with the latest trends such 7.1 Blu-ray standard audio and cutting edge 8.0 electronic music composition.
Users will also find that the studio is a great room for editing, mixing and mastering audio because of the dual fader console, onboard and outboard gear, software plug-ins and multiple sets of speakers.
The console has:
- two layers, each with 32 faders
- eight graphic equalizers
- 24 parametric equalizers
- 32 compressors
Furthermore, the studio contains a host of outboard analog and digital gear, including an Eventide H8000fw and a TC Electronic System 6000 II with mastering and surround packages that features a 8.0 reverb program.
For help with studio issues, please contact firstname.lastname@example.org.