World Almanacs
Oxford Reference Online
Fully indexed, cross-searchable database of about 100 dictionary, language reference, and subject reference works published by Oxford University Press. Includes subject reference works in the humanities, social sciences, and science.
Dictionary of Substances and their Effects (DOSE)
Encyclopedia of Life Sciences
Oxford Dictionary of Dance
The Oxford Dictionary of Dance offers wide coverage of dancers, choreographers, teachers, composers, technical terms, major works, important films, and organizations involved in the dance world. It embraces the new activity within traditional forms like ballet as well as the stream of new dance languages invented by fresh generations of choreographers and the many dance forms imported from the rest of the world. There is information on classical ballet, Spanish flamenco, Indian Bharata Natyam, Japanese Butoh, and jazz. The volume also covers post-modern dance, examining everything from Balanchine to recent practitioners of Eurocrash, minimalism, and contact improvisation. Ranging from the history of music to the changing design of the ballet shoe, this is a comprehensive dictionary compiled by two leading authorities on dance.
Dictionary of Literary Biography
Oxford Music Online
Oxford Music Online has been the leading online resource for music research since its inception in 2001, a comprehensive compendium of music scholarship offering the full texts of The New Grove Dictionary of Music and Musicians, 2nd edition (2001), The New Grove Dictionary of Opera (1992), and The New Grove Dictionary of Jazz, 2nd edition (2002), as well as numerous subsequent updates and emendations. Including more than 50,000 signed articles and 30,000 biographies contributed by over 6,000 scholars from around the world, Oxford Music Online is the unsurpassed authority on all aspects of music.
Oxford Music Online also contains The Oxford Companion to Music (revised 2011), which offers more than 8,000 articles on composers, performers, conductors, instruments and notation, forms and genres, and individual works; and The Oxford Dictionary of Music, 2nd edition (revised 2006), which supplements Grove's more-extensive articles with content geared toward undergraduates and general users.
Oxford Music Online is also pleased to continue featuring Colin Larkin's landmark Encyclopedia of Popular Music, 4th edition (2006), for those who have purchased perpetual access to the online version. The most comprehensive reference work devoted exclusively to popular music, EPM is the authoritative biographical encyclopedia of rock, pop, and jazz artists, covering popular music from 1900 to the present. It is exhaustive, meticulous, authoritative — and incredibly fun to read.
Oxford Music Online was created with the latest in online technology to give users a robust and unique research experience. Sophisticated search options allow users to refine their search or browse results by source and specific era or subject category. Users can also choose to view biographies or subject entries only. Advanced search options provide powerful tools for content navigation, including biography searching, bibliography searching, and the ability to easily search within longer, multi-section articles. Timelines and topical guides offer specific pathways into the content. Context-sensitive Help pages guide users through the site's features and functionality. Oxford Music Online offers the most extensive and easily searchable online music resource available, a virtual music library of unparalleled scope and depth.
Oxford Art Online
Stanford Encyclopedia of Philosophy
Dictionary of Opera Characters
Containing over 2,500 operatic characters, this guide gives plot synopses for over 250 operas and operettas, and details full information on each operatic role, including its creator and notable performers. Well-known personalities contribute articles on favourite roles, for example, Placido Domingo writes on the character of Otello and Janet Baker on Mary Stuart. Other contributors include Andrew Porter, Sena Jurinac, Philip Langridge, Jonathan Miller, Sir Charles Mackerras, and Marie McLaughlin revealing much about the creative process behind some of the most famous performances in opera history.
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