Title:
[Calligraphic specimen,ca. 1282, i.e. 1865 or 1866].[مرقع حسن الخط,ح 1282ه, 1865 او 1866م].
Summary:
Exquisite album of calligraphy (muraqqaʻ / murakkaa) of four kıtalar employing ḥadīth of the Prophet executed by the renowned Ottoman calligrapher Kazasker (Kadıasker) Mustafa İzzet Efendi (d.1876).
Subject(s):
Calligraphy, Ottoman--Specimens.
Calligraphy, Arabic--Specimens.
Writing, Arabic--Specimens.
Islamic calligraphy--Specimens.
Manuscripts, Arabic--Michigan--Ann Arbor.
Incipit:
"اذكروا الله ذكرا كثيرا قال رسول الله صلوات الله عليه وسلامه مثل الذي يذكر ربه والذي لا يذكر ربه مثل الحي والميت ..."
Colophon:
[1] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه وستر عيوبه امين" ; [2] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه امين سنة ١٢٨٢" ; [3] "حرره السيد الحاج مصطفى عزت المعروف برئيس العلماء غفر الله ذنوبه وستر عيوبه امين" ; [4] "بندۀ آل عبا سيد عزت مصطفى"
Physical Details:
Collation:
Four panels hinged together in accordian (concertina) format ; opens vertically.
Script:
Exquisite specimen of Ottoman calligraphy ; large opening line of each panel in thuluth (sülüs), followed by four lines in naskh (nesih).
Decoration:
Written area and divisions within surrounded by frames of gold defined by further gold and black fillets ; illuminated textual dividers in the form of gold rosettes with red and green-blue accents.
Support:
Written area on well-burnished paper, pieced, set into frames of blue and orange-tinted paper, and mounted.
Binding:
Boards now covered in green and black mottled paper (sponge painted or faux marbled look, traces of another paper underneath) with dark purple to black leather over spine ; Type III binding (without flap) ; boards lined in same mottled paper ; panels hinged together in accordian format with same dark purple to black leather and hinged into case ; overall in fairly good condition with some abrasion and staining.
Origin:
As appears at the close of each piece (kıta), executed by es-Seyit el-Hac Mustafa İzzet. In three of the signatures he includes "known as Reisülulema". He has signed the final piece "Bende-yi Al-i aba, Seyit İzzet Mustafa," a modest expression which, according to M. Uğur Derman (see Letters in gold, p.118), he preferred to use in his later years. Only one of the pieces is dated 1282 [1865 or 6] with the others likely completed around the same time or slightly later.
Ownership and History:
Inscriptions in pencil "570 T.D.M. [i.e. Tammaro De Marinis]" and "93" in pencil on opening panel ; clean copy.
Contributor(s) / Included work(s):
Unidentified-Can you help supply this information? Please comment!
References:
Serin, Muhittin. “Amerika Birleşik Devletleri’ndeki Bazı Kütüphanelerde Bulunan İslam El Yazma Eserleri ve Michigan Üniversitesi II. Abdülhamid Koleksiyonu,” Akademik Araştırmalar Dergisi 2, 4-5, (2000).Derman, M. Uğur. Letters in gold : Ottoman calligraphy from the Sakıp Sabancı collection, Istanbul. (New York : Metropolitian Museum of Art : Distributed by H.N. Abrams, c1998),pp.116-119.Rado, Şevket. Türk hattatları : XV. yüzyıldan günümüze kadar gelmiş ünlü hattatların hayatları ve yazılarından örnekler. (Istanbul : Yayın Matbaacılık Ticaret Limited Şti., [1984?]),pp.216-217
Posted by evyn on May 8, 2012
Tags: Abdul Hamid Collection, Arabic MSS, Fully Catalogued


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